JD Simo’s talent has no boundaries. His love of music is just that - a love of ALL music - and he has mastered every genre he’s explored. His remarkable talent and versatility has led to recording sessions with artists including Beyoncé, Dolly Parton, Tommy Emmanuel, Jack White, Joe Bonamassa, The War and Treaty, Chris Isaak and Stevie Nicks. He’s also been blessed to share the stage with folks like the Grateful Dead’s Phil Lesh and collaborate with BlackBerry Smoke, Luther Dickinson and Anson Funderburgh. As a further testament to the depth of his talent, the world of film came calling when JD was chosen to flesh out and perform every single guitar note on the soundtrack to Baz Lurhman’s film “Elvis”.

Like many artists and creators during the COVID shutdown, JD found a liberating outlet through social media, releasing a relentless treasure of exploratory jams from “The House of Grease”. With each installment he reached a growing audience of roots music fans as well as guitar gearheads wanting the latest on that JD Simo rig rundown. While this tour will feature songs from his recently released album, Songs From the House of Grease, fans will also be rewarded as Simo digs deep into the inspiration he has found in everything from Afrobeat to Maxwell Street era Chicago Blues, from soulful funk jams to psyched out jazz-rock. Come early, stay late…the show will show will be presented in two sets.

Lloyd Jones
Portland, Oregon roots artist Lloyd Jones has recorded six critically acclaimed albums, toured internationally, and racked up dozens of major awards and accolades. He’s a relentless road dog, hitting festival stages, Delbert’s annual Sandy Beaches Cruises (he’s been a regular on six winter cruises), and clubs all across the land to enthusiastic crowds who can’t get enough of his swampy blues, his backporch picking, his serious-as-anthrax funk, soul, roadhouse two-beats, and old-school rhythm and blues (back before the R&B tag was somehow appropriated for other musical purposes, apparently when we weren’t looking). Yet he may be the most invisible, best-kept roots/blues/Americana secret on the contemporary scene.